![]() ![]() You just have to find seagulls and shoo them away. The other collectible you can track down is, by comparison, a snooze. Plus exploring and enjoying the lovely environments was one of the best parts of Sea of Solitude. ![]() While these are optional to the main campaign, going out of my way to get them was a great way to add an extra challenge. They serve as both a fun thing to hunt for and an interesting and eerie reminder that others have been here before. Scattered throughout the world are different collectibles to find, the best of which are the messages in bottles. The voice acting didn’t help in this regard because the larger than life cadence of the monsters often made things feel like an overacted stage play rather than a series of real conversations. Intense screams and overuse of exclamations such as “leave me alone!” felt overly dramatic and consistently took me out of the story. If that was me, I would be asking for the bill early. It’s a shame that Sea of Solitude’s heavy-handed writing often gets in the way of the story it’s trying to tell, since it’s hard to buy into a relationship where someone says “you’re the kind of person I could imagine having kids with” on the first date. Things don’t always turn out how Kay wants, but eventually she accepts that the right decision isn’t necessarily the ideal one and that not all relationships can last. Only then can we live a fully realised life.Most of all, I respect that Sea of Solitude isn’t all happy endings. It’s a journey that touchingly reveals the importance of freely accepting all of our emotions, even sadness and sorrow. Their adventure brings them to a clutch of faerie folk who tell of an owl witch who is turning beings into stone by stealing their feelings. There’s a satisfying symmetry within the narrative, too, where events in the real world are mirrored by those in a mythic realm, the two overlapping courtesy of a selkie child born to a faerie-world mother and a human father.Īfter the children’s grandmother takes them away from a seaside solitude and introduces them to the clamour of city life, the brother and sister begin to understand the latter’s otherworldly nature and embark on an odyssey back to their father and their life by the sea. ![]() ![]() His saucer-eyed characters are a delight to behold, while the symmetry that runs through so many of his elegantly wrought frames is a constant source of pleasure. The selkie - a female faerie-world seal that lives among us in human form - has a home in the folklore of many North European people that work upon the sea and, like a true folk-storyteller, Moore places his magical beings in the midst of a drama rippling with pan-generational appeal. The Irish studio’s Song Of The Sea is the second feature from Irish director Tomm Moore and, like its predecessor, 2009’s The Secret Of Kells, its tune tickled the ears of the Academy, earning the filmmakers a second successive Oscar nomination.Īs with Kells, Moore again plunges into his native tradition, this time telling a selkie’s tale. How joyful it is, then, that the Cartoon Saloon, like Japan’s Studio Ghibli, is fighting a rearguard action of such proficiency and wonder. Much like the Celtic myth that pervades this beautifully realised film, hand-drawn animation is slowly receding into the past. ![]()
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